New book releases for August 2017

The Bedlam Stacks by Natasha Pulley

Merrick, a crippled smuggler working for the East India Company, heads deep into uncharted territory to find cinchona trees, the only source of the quinine that can cure malaria. Surrounded by local stories of lost time, cursed woods and living rock, Merrick must separate truth from fairytale and find out what befell the last expeditions.

Last year I read Pulley’s debut, The Watchmaker of Filigree Street, and it was one of my favourite books of 2016. I’ve already read The Bedlam Stacks, and can confirm that it is just as magical and surprising as her debut. (Full review coming soon)

Release date: 1st August

The Last Tudor by Philippa Gregory

The true story of the three Grey sisters: Jane, Queen of England for nine days; Katherine, whose lineage makes her a threat to the rightful succession; and Mary, a dwarf disregarded by the court but all too aware of her position as a possible heir to the throne.

There is no writer who can match Gregory for historical fiction and her books set in Tudor England are often her best. She tells stories with intelligence and verve, focusing her books on real women navigating the dangerous waters of court politics.

Release date: 8th August

How Not to Be a Boy by Robert Webb

Don’t cry, love sport, play rough, drink beer, don’t talk about feelings. But Robert Webb has started to wonder if any of those rules are actually any use? To anyone? Looking back over his life, Webb considers the absurd expectations boys and men have thrust upon them.

The only autobiography I’ve ever read is Roald Dahl’s, so Webb’s book will be a departure from my usual reading material. However, I do love his sense of humour and it’s been a while since I read a book that has the potential to make me laugh out loud.

Release date: 29th August

The Half-Drowned King by Linnea Hartsuyker

Since the death of Ragnvald’s father in battle, he has worked hard to protect his sister, Svanhild, and planned to inherit his family’s land when he comes of age. But when the captain of his ship tries to kill him, he must confront his stepfather’s betrayal and find a way to protect his birthright.

This saga of Viking-era Norway sounds exciting and different, and has already been described as ‘vivid and gripping’. Steeped in legend and myth, it promises to be a swashbuckling historical epic.

Release date: 1st August

Beautiful Animals by Lawrence Osborne

Samantha and Naomi meet during a white-hot summer on the idyllic Greek island of Hydra. They find a young Arab man, Faoud, washed up on shore, a casualty of the crisis raging across the Aegean. But when their plan to help the stranger goes wrong, all must face the consequences.

This sounds like the perfect holiday read. It has been compared to The Great Gatsby by the New York Times Book Review; a bold claim, and only time will tell if it’s justified.

Release date: 10th August

The Half-Drowned King by Linnea Hartsuyker SV

Impossible Views of the World by Lucy Ives

Stella Krakus, a curator at Manhattan’s renowned Central Museum of Art, is having the roughest week ever, including the fact a beloved colleague, Paul, has gone missing. The appearance of a strange map sends Stella on an all-consuming research mission where she discovers the secret Paul’s been keeping.

This book has received a wealth of praise already, having been called ‘magical’, ‘mysterious’ and ‘mesmerising’, and Ives’ credentials as a poet promise beautiful writing.

Release date: 3rd August

The Clockwork Dynasty by Daniel H. Wilson

When a young anthropologist uncovers a terrible secret concealed in the workings of a 300-year-old mechanical doll, she is thrown into a hidden world. With her career and her life at stake, June will embark on an around-the-world adventure and discover breath-taking secrets of the past.

I do enjoy an alternative history novel, but it’s hard finding ones that are written well. Promising artificial intelligence, steampunk and a thrilling adventure, let’s hope this one lives up to expectations.

Release date: 1st August

The Word is Murder by Anthony Horowitz

A wealthy woman strangled six hours after she’s arranged her own funereal. A private detective uncovering secrets but hiding his own. A reluctant author drawn into a story he can’t control. What do they have in common?

This novel marks the start of a new detective series set in London by global bestseller Anthony Horowitz, promising buried secrets and a bloody trail of clues.

Release date: 24th August

The Scandal by Fredrik Backman

The town of Beartown, Sweden, is on the verge of a revival. Change is in the air and a new future just around the corner. Until the day it is all put in jeopardy by a single brutal act. It divides the town into those who think it should be hushed up and forgotten, and those who’ll risk the future to see justice done.

Backman is already a bestselling author and has had his books published in more than 35 countries. His newest offering promises to be a tense, empathetic story of friendship and loyalty.

Release date: 10th August

Are You Sleeping by Kathleen Barber

Josie Buhrman has spent the last 10 years trying to escape the tragic events of her past. Now, she has a new life in New York with her boyfriend, Caleb. The only problem is that she has lied to Caleb about every detail of her past.

It’s been a while since I read a really gripping psychological thriller, so I’m hoping this debut novel will offer just that.

Release date: 10th August

New novel explores how female criminals are judged by the media

Little Deaths by Emma Flint

‘When tragedy strikes, there’s a tendency to assume that someone is different. Special. That there’s something about them that makes them the kind of person bad things happen to. Because the alternative – that bad things can happen to anyone, at any time – is unthinkable.’

New York, 1965. One morning, Ruth Malone wakes to find her two young children missing. After a desperate search, the police make a horrifying discovery. It’s every mother’s worst nightmare. But Ruth Malone is not like other mothers. Noting Ruth’s perfect make-up and provocative clothing, the empty bottles of alcohol and love letters that litter her apartment, the detectives leap to convenient conclusions. But is Ruth really capable of murder?

I was really intrigued by this book, having heard some great things about it. But, overall, the execution failed to live up to the promise of the idea.

The pace of the book was the main element that threw me off. We learn early on that Ruth is in prison, so throughout the investigation and trial there is no suspense about what is going to happen. I didn’t realise that this is partly a police procedural novel (a genre I am not particularly fond of) and that at least half the chapters are focused on a journalist named Pete who is investigating the story of the missing children, and in the process becomes obsessed with Ruth.

The writing is good, but lacks the flashes of brilliance that would have elevated this book to a truly great read. Some of the themes are really interesting and I found Ruth a sympathetic and well-written character. She cares deeply for her children but she becomes easily exasperated by them. Her life hasn’t turned out anything like she thought it would and her disappointment is, in the eyes of the media, enough to mark her out as a bad person – and possibly a murderer.

Even set in the 1960s, this book bears poignant relevance to our world today. Ruth might not be talked about and judged on social media, but in the claustrophobic working class environment where she lives, there’s always someone peeking through a net curtain and gossiping about the woman who comes home late.

If the focus had been entirely on Ruth, I think I would have enjoyed this book a lot more. Unfortunately, much of the story is focused on journalist Pete Wonicke. He is an entirely unmemorable character who quickly becomes exasperating with his unrealistic actions. I wanted to know more about Ruth, and I wanted Flint to delve further into the themes she just begins to pick at, especially the way female criminals are judged by the media.

I was also extremely disappointed by the ending. It seemed completely unconvincing and came out of the blue, and after that I was glad to put the book down.

This book definitely disappointed me, but fans of crime fiction will still find things to enjoy here. Just don’t expect it to blow your socks off.

New book releases July 2017

How to Stop Time by Matt Haig

Tom Hazard has a secret. He may look like an ordinary 41-year-old, but owing to a rare condition, he’s been alive for centuries. Always changing his identity to stay alive, Tom has the perfect cover – working as a history teacher at a London comprehensive. The only thing he must not do is fall in love.

This is easily one of my most anticipated books of 2017. I’m hoping Haig’s new offering is as full of hope and truth as his previous books.

Release date: 6th July

 

The Music Shop by Rachel Joyce

Frank has a gift for finding his customers the music they need to hear. When he meets Ilsa, a mysterious woman engaged to another man, he falls in love. 12 years later Ilsa returns to find Frank. The shop has gone; no one knows where he is. All that remains is a series of clues, each one related to music.

Joyce is the author of the brilliant, heart-wrenching novel The Unlikely Pilgrimage of Harold Fry, and I can’t wait to read more of her charming, uplifting prose.

Release date: 13th July

 

Blackwing by Ed McDonald

The republic faces annihilation, despite the vigilance of Galharrow’s Blackwings. When a raven tattoo rips itself from his arm to deliver a desperate message, Galharrow and a mysterious noblewoman must investigate a long dead sorcerer’s legacy.

This is the first in a new epic fantasy series that has already received praise declaring it to be one of the best fantasy debuts of the year.

Release date: 27th July

 

Watch Me Disappear by Janelle Brown

It’s been a year since Billie Flanagan went on a hike and vanished from the trail. Her body was never found. Her husband and her teenage daughter, Olive, have been coping as best they can, but then Olive starts having strange visions of her mother that suggest she may not be dead after all.

This is a psychological thriller that has been compared to Big Little Lies, and it has already been called ‘clever and compelling’.

Release date: 11th July

 

The Goddesses by Swan Huntley

When Nancy and her family arrive in Hawaii, they are desperate for a fresh start. Nancy resolves to make a happy life for herself. She starts taking a yoga class and there she meets Ana, the charismatic teacher. As Nancy grows closer and closer to Ana, she knows she will do anything Ana asks of her.

This sounds like the kind of gripping psychological thriller that would make a perfect beach read.

Release date: 25th July

 

Darien by C.F. Iggulden

The city of Darien stands at the weary end of a golden age. 12 families keep order with soldiers and artefacts, spies and memories, clinging to a peace that shifts and crumbles. Here, amongst old feuds, a plot is hatched to kill a king.

From historical novelist Conn Iggulden – author of the Wars of the Roses series – this is the first in an epic new fantasy series that sounds perfect for fans of Game of Thrones.

Release date: 13th July

 

Final Girls by Riley Sager

They were the victims of separate massacres. Grouped together by the press and dubbed the Final Girls, they are treated like something out of a slasher movie. When something terrible happens to Lisa, Quincy and Sam finally meet. Each one influences the other. Each one has dark secrets. And each one will never be the same.

I love the idea behind this book and can only hope that the writing and the plot live up to the promise in the blurb.

Release date: 13th July

 

The Disappearances by Emily Bain Murphy

Every seven years something disappears in the remote town of Sterling: people’s reflections, the stars in the sky, the ability to dream. Aila realises that her mother may be to blame, but some secrets want to stay hidden.

This sounds like a very unusual debut novel, and has been described as ‘thick with mystery, buried secrets, and magic’.

Release date: 27th July

 

This Is How It Happened by Paula Stokes

After waking up from a coma, Genevieve can’t remember the car crash that killed her boyfriend Dallas, a YouTuber turned teen music idol. In the media everyone assumes the driver, Brad, is guilty. As she slowly pieces together the night of the accident, Genevieve starts to wonder if she was really the one at fault.

This sounds like it could be a very interesting novel, exploring themes about the way the internet is always watching and judging our actions.

Release date: 11th July

 

Where the Light Falls by Allison Pataki

Three years after the storming of the Bastille, the streets of Paris are roiling with revolution. Jean-Luc, an idealistic young lawyer, moves his family to Paris in the hope of joining the cause. Andre has evaded execution by joining the new French army. Sophie, an aristocratic widow, embarks on a fight for independence from her vindictive uncle.

With cameos from legendary figures including Robespierre, Louis XVI and Thomas-Alexandre Dumas, this sounds like an epic tale that will sweep readers off their feet.

Release date: 11th July

Paula Hawkins’ second novel bears similarities to Broadchurch

I was thinking about what I was going to say to you when I got there, how I knew you’d done this to spite me, to upset me, to frighten me, to disrupt my life. To get my attention, to drag me back to where you wanted me. And there you go, Nel, you’ve succeeded: here I am in the place I never wanted to come back to, to look after your daughter, to sort out your bloody mess.

In the days before her death, Nel called her sister. Jules didn’t pick up the phone, ignoring her plea for help. Now Nel is dead. They say she jumped. And Jules has been dragged back to the one place she hoped she had escaped for good, to care for the teenage girl her sister left behind.

This has got to be one of the most anticipated books of 2017. Following the phenomenal success of The Girl on the Train, Hawkins has returned to the psychological thriller genre that made her a star. Comparisons to her first novel are inescapable, and it was almost inevitable that Into the Water was not going to be as good as Hawkins’ debut.

The main problem is one that most reviewers have picked up on: there are just too many narrators (11 in all). This means we are jumping around to different perspectives so often that we don’t become truly connected to any of them. As such, many of the characters are reduced to clichés and several could have been cut without it affecting the story too much.

Each of the narrators are very similar in tone and while some are written in first person, others are in third person, which just adds to the confusion. None of the characters react to events in a way that makes sense (many of them burst out laughing for no reason) and their motives seem forced. It’s very similar to Broadchurch; a small town where everyone has a secret and everyone has a connection to the person who died. But it lacked the tension and convincing characters to pull off such a plot.

Unlike The Girl on the Train, there is no tense, heart-stopping confrontation at the end, but it rather peters out with a confession. Even without comparisons to any other book, there’s no denying that Into the Water is lacking in suspense.

That’s not to say that this book is without its positives. Though some of the supernatural elements felt tagged on, I enjoyed the atmosphere and the constant, brooding presence of the Drowning Pool, where Nel’s body is found. The focus on memory and the tricks our own minds can play on us are interesting themes Hawkins explores throughout the book.

If you enjoy psychological thrillers, you will probably enjoy this book. However, if you found The Girl on the Train confusing, Into the Water is going to feel like a circus. Hawkins clearly took a gamble with this one, but it doesn’t quite pay off.

New book releases for June 2017

Godblind by Anna Stephens

There was a time when the Red Gods ruled the land. That time has long since passed and the neighbouring kingdoms of Mireces and Rilpor hold an uneasy truce. But after the death of his wife, King Rastoth is plagued by grief, leaving the kingdom of Rilpor vulnerable.

This has been called the most anticipated fantasy debut of the year – so it’s fair to say that my expectations are already pretty high.

Release date: 15th June

It’s Always the Husband by Michele Campbell

Kate, Aubrey, and Jenny first met as college roommates and soon became inseparable, despite their differences. 20 years later, one of them is standing at the edge of a bridge, and someone else is urging them to jump. How did things come to this?

A story of the complicated ties of friendship and the appeal of revenge.

Release date: 13th June

The Wages of Sin by Kaite Walsh

  1. Sarah Gilchrist has fled from London to Edinburgh in disgrace and is determined to become a doctor, despite the misgivings of her family and society. When one of her patients turns up as a battered corpse, Sarah finds herself drawn into Edinburgh’s dangerous underworld.

This book sounds right up my street. It’s dark, it’s historical, and it apparently features LGBT+ characters. What more can you want?

Release date: 1st June

The Lying Game by Ruth Ware

At school Isa and her three best friends used to play the Lying Game. They competed to convince people of the most outrageous stories. Now, after 17 years of secrets, something terrible has been found on the beach, something that will force Isa to confront her past.

I read Ware’s In A Dark Dark Wood last year and was impressed by the writing (though less so by the plot) and am keen to see if her latest offering is an improvement.

Release date: 15th June

The Alice Network by Kate Quinn

Two women – a female spy recruited to the Alice Network in France during WWI, and an unconventional American socialite searching for her cousin in 1947 – are brought together in a story of courage and redemption.

I’ve never read anything by Quinn before – not least because historical novels about war often focus on men, while this one seems to focus on women.

Release date: 21st June

The Child by Fiona Barton

When a paragraph in a newspaper reveals a decades-old tragedy, most readers barely give it a glance. But for three strangers it’s impossible to ignore. For one woman, it’s a reminder of the worst thing that ever happened to her. For another, it reveals the dangerous possibility that her darkest secret is about to be discovered.

I’ve yet to read Barton’s The Widow, a psychological thriller released last year, but it became a Sunday Times bestseller, which bodes well for this second offering.

Release date: 29th June

The Good Widow by Liz Fenton and Lisa Steinke

Jacqueline ‘Jacks’ Morales’s marriage was far from perfect, but it was always familiar. That is, until two police officers tell her that her husband, who should have been on a business trip to Kansas, had suffered a fatal car accident in Hawaii. And he wasn’t alone.

This sounds like a twisty, turny thriller perfect for beach reading.

Release date: 1st June

Our Dark Duet by Victoria Schwab

Nearly six months after Kate and August were first thrown together, the war between the monsters and the humans is a terrifying reality. August has become the leader he never wished to be, and Kate has become the ruthless hunter she knew she could be.

This is the sequel and conclusion to This Savage Song, an urban fantasy novel from the author of the bestselling A Darker Shade of Magic. I love everything Schwab writes and no doubt her latest offering will be just as dark and gorgeous as her others.

Release date: 13th June

Beren and Lúthien by J.R.R. Tolkien

Restored from Tolkien’s manuscripts, this epic tale will reunite fans with Elves and Men, Dwarves and Orcs, and the rich landscape and creatures unique to Tolkien’s Middle Earth.

I’m not entirely sure whether I’ll read this one, though I’m a huge fan of The Hobbit and Lord of the Rings. But in any case, the release of a new story by Tolkien – published for the first time as a continuous and standalone story – is a momentous event.

Release date: 1st June

Harry Potter and the Philosopher’s Stone (House Editions) by J.K. Rowling

Okay, admittedly not a new book at all, but to celebrate 20 years since the publication of Rowling’s first Potter novel, four special editions are being released for each of the four Hogwarts houses: Gryffindor, Slytherin, Ravenclaw and Hufflepuff. But this isn’t just about owning a beautiful new edition; fans will also find fact files and profiles of favourite characters within the pages.

Release date: 1st June

Shocking story of crime and morality sure to satisfy your true crime cravings

The Wicked Boy by Kate Summerscale

James Canham Read was refined, calculating, ruthless, with a compulsion to possess and control women even if it meant killing them. In his smooth composure, he resembled both the villains and the heroes in the penny dreadfuls that Robert liked to read.

Over 10 days during the summer of 1895, 13-year-old Robert Coombes and his 12-year-old brother Nattie pawned family valuables to fund trips to the theatre and the seaside. During this time nobody saw or heard from their mother, though the boys told neighbours she was visiting relatives. As the sun beat down on the Coombes’ house, an awful smell began to emanate from the building. When the police were finally called to investigate, what they found sent the press into a frenzy of horror and alarm.

This book tells a fascinating true story of one of the most shocking criminal trials to take place in Victorian London. It’s hard to say too much about the plot without giving away what happens, but suffice to say that this shocking story of violence and morality is sure to satisfy your true crime cravings.

Through the story of Robert and Nattie, Summerscale branches out to take a look at the wider context of Victorian life. We not only see the culture of the time – the penny dreadfuls and trashy novels that were said to inspire both murders and suicides – but also what life would have been like for those who were trapped by their circumstances of birth. We glimpse life in the claustrophobic alleys of east London, children’s experience of school, life working aboard a freight ship, the routines of a mental asylum, and fighting on the front line in World War II.

These combine to give us a fascinating overview of life in Victorian times, with one consequence being that we sometimes lose sight of the characters at the heart of the book. There were obviously large parts of the story where Summerscale couldn’t find much research about Robert and Nattie – at least not in their own words – and there are times when the detail becomes a little overwhelming (do we really need to know the history of the cricketers playing when the brothers went to Lord’s?).

Summerscale does a fantastic job of presenting all sides of the story so the reader is forced to make up their own mind about what they think really happened. The story takes us beyond the crime itself, through the trial and the aftermath and the ripple effect it had on all those involved. We learn what the newspapers were printing about the story, the theories medical experts put forward, and the shock and suspicion it aroused among the public. The period detail is fantastic and the real-life story of redemption Summerscale tells makes it all the more fascinating.

I would highly recommend this book to true crime fans. Some might find the lack of answers annoying, but I found it to be an entertaining and absorbing read.

Eleanor Moran’s drama would make an excellent holiday read

Too Close for Comfort by Eleanor Moran

It started out quiet. It can be that way in the middle of the day – it’s like I’m hidden in a big, concrete chest of drawers. The odd car pulls in and out, people staring at me, wondering why I don’t climb out of this shiny piece of tat. None of their business. Sometimes I want to stick my tongue out like I’m six years old. One day I did, some old fart in a suit peering through the window like he was my headmaster, but then I remembered the last thing I needed to do was to make myself memorable.

Psychotherapist Mia Cosgrove puts her life in London on hold when she receives a desperate phone call from her best friend, Lysette. A friend of Lysette’s, Sarah, has plunged to her death from the top of a multi-storey car park. At first the police are convinced it’s a suicide, but when another death rocks the rural community, Mia is drawn into the increasingly dangerous investigation.

This is one of those books where I got exactly what I expected from it. I guessed it was going to be an average mystery/crime/thriller, enjoyable and easy-going, and that’s just what it is.

The story centres around Mia, who, despite having a vested personal interest in the tragedy, is asked to provide support as a psychotherapist to those who have been affected by Sarah’s death. She is drawn into Sarah’s close group of friends, who all seem to be hiding something, and she finds herself more and more determined to find out what really happened.

I loved that this book was all about female characters, their close and often complicated relationships, their attitudes towards themselves and others, their struggle to appear to be coping even when things are going disastrously wrong. Many of them aren’t exactly likeable, but they are sympathetic all the same. Moran gives you just enough information about them to inspire your empathy while holding enough back to make sure you’re never certain what they are going to do next.

Although it is billed as a thriller I’d say this book reads more like a drama. Rather than building up to some big shocking reveal at the end of the book, Moran focuses on the relationships between characters and the subtle ebbs and flows in friendships. There are moments, however, when it seems Moran is unsure of her decision to make this a quieter book and her descriptions become a little artificial, as if she’s suddenly decided she wants to write a thriller instead.

Overall, however, the writing was easy to read and flowed well, with an occasional hint of brilliant insight. I particularly enjoyed the scenes between Mia and Sarah’s young son, Max, which are beautifully and sensitively written.

What irritated me was that Moran finishes every chapter with a few lines that portend doom, obviously designed to keep the reader reading. Moran could have easily cut these sentences without losing anything from the book; there was enough tension and suspense without them. The same goes for the diary entries interspersed throughout the narrative; they didn’t add anything and could easily have been cut.

The ending was satisfying and in-keeping with the tone of the book. There are no last minute twists, no over-the-top show-down. It all made sense and it all wrapped up nicely, without seeming too contrived.

I would recommend this book to anyone looking for something entertaining and enjoyable to switch off with. It would make an excellent holiday read, and I’d definitely be interested in reading more from Eleanor Moran in the future.

Many thanks to Simon and Schuster for a copy of this book in exchange for an honest review.