The Last Tudor by Philippa Gregory
‘I love my father because I know that he will never die. Neither will I. We are chosen by God and we walk in His ways, and we never swerve from them. We don’t have to earn our place in heaven by bribing God with acts or Masses. We don’t have to eat bread and pretend it is flesh, drink wine and call it blood. We know that is folly for the ignorant and a trap for papist fools. This knowledge is our pride and glory.’
This is the true story of the three Grey sisters: Jane, Queen of England for nine days; Katherine, whose lineage makes her a threat to the rightful succession; and Mary, a dwarf disregarded by the court but all too aware of her position as a possible heir to the throne.
I’m a huge fan of Philippa Gregory, particularly her Tudor novels, and she has claimed that this one will be her final story in a popular series spanning 11 books.
Gregory has once again proven why she is the queen of historical fiction. Her characters are women navigating dangerous political waters, aware that even taking the precaution of closing all the windows and doors isn’t enough to ensure they won’t be overheard by spies. Even an innocent remark can lead to a charge of treason, and the monarch is able to hold men and women in the Tower at their leisure without charging them of any crime.
The Grey sisters are each very different. We have pious Jane, an innocent but devout girl at the heart of a treasonous plot to sit her on the throne of England; wilful and light-hearted Katherine, who marries for love against the Queen’s wishes; and Mary, little in stature but possessing more dignity than anyone else at court. Around these three characters Gregory crafts an intriguing story of family and treachery, jealousy and passion.
The most interesting aspect of this novel is its exploration of the ‘last Tudor’ referenced in the title: Queen Elizabeth I. When most people think of Elizabeth they imagine her as queen in a time of glory and momentous change, when Shakespeare was writing, the New World was just discovered, and the monarch presided over a court full of the brightest minds of their generation. Gregory’s novel shows an altogether different side of Elizabeth, painting her, through the eyes of the Grey sisters, as vain, vindictive and needlessly cruel.
The main problem in this book is that the narrators spend such an awful lot of their time locked behind bars, unable to even make contact with anyone outside. As such we hear of the important political events taking place in England from characters who aren’t actually witnessing them first hand.
The other aspect of this book I had trouble with is the fact that there is next to no character development. We are introduced to each of the Grey sisters at the start of the novel, and they remain the same until the very end. I prefer my characters to change over the course of a story, watching them develop and grow, and that is something the reader definitely doesn’t get from this book.
Despite its flaws, Gregory has once again succeeded in what she does best: taking real women from history and giving them a voice. She has stuck to her traditional formula and as such her fans will find much to love here. I’ll be keen to see what she comes up with once she frees herself from facts and comes up with her own original characters.
Many thanks to Simon & Schuster for a copy of this book in exchange for an honest review.